Las Reproducciones del Oleo de Europa España no Mínimo

 
 

GO HOME

Palma Vecchio

1480-1528 Italian Palma Vecchio Gallery

Pintura Identificación::  1096
Portrait of a Woman
Retrato de una Mujer

1480-1528 Italian Palma Vecchio Gallery

   
 

 

 
   
      

GO HOME

Mihaly Munkacsy

1844-1900 Hungarian Mihaly Munkacsy Locations

Pintura Identificación::  2794
Portrait of a Woman
Retrato de una Mujer
1885 Deri Museum, Debrecen
1885 Deri Museo, Debrecen
1844-1900 Hungarian Mihaly Munkacsy Locations

   
 

 

 
   
      

GO HOME

Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510

Pintura Identificación::  10003
Portrait of a Woman
Retrato de mujer
1475Tempera on panel Palazzo Pitti, Galleria Palatina, Florence,
1475Tempera en panel Palazzo Pitti, Galleria Palatina, Florencia,
Italian Early Renaissance Painter, 1445-1510

   
 

 

 
   
      

GO HOME

Amedeo Modigliani

Italian Expressionist Painter and Sculptor, 1884-1920

Pintura Identificación::  10621
Portrait of a Woman
Retrato de una Mujer joven
1918, oil on canvas, 24 x 18 1/8 ins (61x46 cm). Denver Art Museum, Charles Francis Hendrie Memorial Collection.
1918, Óleo en lona, 24 x 18 1-8 ins -61x46 cm-. Denver Art Museo, Charles Francis Hendrie Memorial Colección.
Italian Expressionist Painter and Sculptor, 1884-1920

   
 

 

 
   
      

GO HOME

KAUFFMANN, Angelica

Swiss Neoclassical Painter, 1741-1807

Pintura Identificación::  7720
Portrait of a Woman
Retrato de una mujer
1795 Oil on canvas, 131 x 103 cm Museum of Fine Arts, Budapest
1795 Óleo en lona, 131 x 103 cm Museo de Bella Arte, Budapest
Swiss Neoclassical Painter, 1741-1807

   
 

 

 
   
      

GO HOME

DOU, Gerrit

Dutch Baroque Era Painter, 1613-1675

Pintura Identificación::  18997
Portrait of a Woman
Retrato de una Mujer
1635-40 Oil on panel Private collection.
1635-40 Petróleo en el entrepaño la colección Privada.
Dutch Baroque Era Painter, 1613-1675

   
 

 

 
   
      

GO HOME

DOU, Gerrit

Dutch Baroque Era Painter, 1613-1675

Pintura Identificación::  19001
Portrait of a Woman
Retrato de una Mujer
1642-46 Oil on panel Aurora Art Fund
1642-46 Petróleo en pone panel los Fondos del Arte de Aurora
Dutch Baroque Era Painter, 1613-1675

   
 

 

 
   
      

GO HOME

Kramskoy, Ivan Nikolaevich

Russian Painter, 1837-1887

Pintura Identificación::  19120
Portrait of a Woman
Retrato de una Mujer
1883, oil on canvas, The Tretyakov Gallery, Moscow.
1883, engrasan en la lona, LaGalería de Tretyakov, Moscú.
Russian Painter, 1837-1887

   
 

 

 
   
      

GO HOME

Orlandi, Deodato

Flemish Northern Renaissance Painter, ca.1488-1541

Pintura Identificación::  19682
Portrait of a Woman
Retrato de una Mujer
Oil on panel Galleria degli Uffizi, Florence.
el Petróleo en pone paneldegli de Galería Uffizi, Florencia.
Flemish Northern Renaissance Painter, ca.1488-1541

   
 

 

 
   
      

GO HOME

Henri Rousseau

French 1844-1910 Henri Rousseau Locations

Pintura Identificación::  11883
Portrait of a Woman
Retrato de una Mujer
ca 1897 6'6'' x 3' 9''(198 x 114 cm)
ca 1897 6 ~ 6 ~ ~ X 3 ~ 9 ~ ~ (198 X 114 cm)
French 1844-1910 Henri Rousseau Locations

   
 

 

 
   
      

GO HOME

Henri Rousseau

French 1844-1910 Henri Rousseau Locations

Pintura Identificación::  27156
Portrait of a Woman
Retrato de una Mujer
mk15
mk15
French 1844-1910 Henri Rousseau Locations

   
 

 

 
   
      

GO HOME

Henri Rousseau

French 1844-1910 Henri Rousseau Locations

Pintura Identificación::  27157
Portrait of a Woman
Retrato de una Mujer
mk15
mk15
French 1844-1910 Henri Rousseau Locations

   
 

 

 
   
      


Pintura Identificación::  28840
Portrait of a Woman
Retrato de una Mujer
mk65 Oil on canvas 35 1/16x29 3/4in
el Petróleo mk65 en la lona 35 1/16x29 3/4in

   
 

 

 
   
      

GO HOME

Raphael

Italian High Renaissance Painter, 1483-1520

Pintura Identificación::  28846
Portrait of a Woman
Retrato de una Mujer
mk65 Oil on canvas 32 5/16x23 13/16in
elPetróleo mk65 en la lona 32 5/16x23 13/16in
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

GO HOME

Girolamo Forabosco

1604-1679 Italian Girolamo Forabosco Location

Pintura Identificación::  28913
Portrait of a Woman
Retrato de una Mujer
mk65 Oil on canvas 26 3/16x20 7/8in Uffizi,Vasari Corridor
el Petróleomk65 en la lona 26 Uffizi 3/16x20 7/8in, Pasillo de Vasari
1604-1679 Italian Girolamo Forabosco Location

   
 

 

 
   
      

GO HOME

BUGIARDINI, Giuliano

Italian painter, Florentine school (b. 1475, Firenze, d. 1554, Firenze)

Pintura Identificación::  28916
Portrait of a Woman
Retrato de una Mujer
mk65 Oil on panel 25 9/16x18 7/8in
elPetróleo mk65 en el entrepaño 25 9/16x18 7/8in
Italian painter, Florentine school (b. 1475, Firenze, d. 1554, Firenze)

   
 

 

 
   
      

GO HOME

POURBUS, Frans the Elder

Netherlandish painter (b. 1545, Bruges, d. 1581, Antwerpen).

Pintura Identificación::  29292
Portrait of a Woman
Retrato de una Mujer
mk65 Oil on panel 34x31"
el Petróleo mk65 en pone panel 34x31
Netherlandish painter (b. 1545, Bruges, d. 1581, Antwerpen).

   
 

 

 
   
      

GO HOME

Jens Juel

1745-1802 Danish Jens Juel Galleries

Pintura Identificación::  29376
Portrait of a Woman
Retrato de una Mujer
mk65 25x21 1/2" Oil on canvas
mk65 25x21 1/2 Engrasa en la lona
1745-1802 Danish Jens Juel Galleries

   
 

 

 
   
      

GO HOME

Piero pollaiolo

Italian Early Renaissance Painter, ca.1441-1496

Pintura Identificación::  29752
Portrait of a Woman
Retrato de una Mujer
mk67 Tempera on panel 21 5/8x13 3/8in
la Témpera mk67 en el entrepaño 21 5/8x13 3/8in
Italian Early Renaissance Painter, ca.1441-1496

   
 

 

 
   
      

GO HOME

Joos van cleve

Flemish Northern Renaissance Painter, ca.1485-1540

Pintura Identificación::  29918
Portrait of a Woman
Retrato de una Mujer
mk67 Oil on panel 22 7/16x16 9/16in Uffizi,Gallery
el Petróleo mk67 en el entrepaño 22 Uffizi 7/16x16 9/16in, la Galería
Flemish Northern Renaissance Painter, ca.1485-1540

   
 

 

 
   
      

GO HOME

Bernard van orley

Flemish Northern Renaissance Painter , c.1488-1551

Pintura Identificación::  29921
Portrait of a Woman
Retrato de una Mujer
mk67 Oil on panel 14 9/16x11 7/16in Uffizi,Gallery
el Petróleo mk67 en el entrepaño 14 Uffizi 9/16x11 7/16in, la Galería
Flemish Northern Renaissance Painter , c.1488-1551

   
 

 

 
   
      

GO HOME

RIJCKHALS, Frans

Dutch painter (b. 1600, Middelburg, d. 1647, Middelburg)

Pintura Identificación::  31758
Portrait of a woman
Retrato de una mujer
mk76 Dated 1635 Oil on canvas 45 7/8x36 3/4in
mk76 Fechó 1635 Petróleo en la lona 45 7/8x36 3/4in
Dutch painter (b. 1600, Middelburg, d. 1647, Middelburg)

   
 

 

 
   
      

GO HOME

Fra Filippo Lippi

Italian 1406-1469 Fra Filippo Lippi Galleries

Pintura Identificación::  32130
portrait of a Woman
retrato de una Mujer
mk78 Berlin Staatliche Museen Preussischer Kulturbesitz
Berlín mk78 Staatliche Preussischer Kulturbesitz Reflexionado
Italian 1406-1469 Fra Filippo Lippi Galleries

   
 

 

 
   
      

GO HOME

Fernand Khnopff

1858-1921 Belgian Fernand Khnopff Gallery

Pintura Identificación::  34985
Portrait of A Woman
Retrato de UNA Mujer
mk98 c 1883 Oil on canvas,mounted on cardboard 14x11.3
mk98 C 1883 Engrasan en la lona, montado en el cartón 14x11.3
1858-1921 Belgian Fernand Khnopff Gallery

   
 

 

 
   
      

GO HOME

Fernand Khnopff

1858-1921 Belgian Fernand Khnopff Gallery

Pintura Identificación::  35019
Portrait of a Woman
Retrato de unaMujer
mk98 c 1899 Red chalk and coloured pencil on paper 23x13.7
mk98 C 1899 tiza Roja y coloró el lápiz en el papel 23x13.7
1858-1921 Belgian Fernand Khnopff Gallery

   
 

 

 
   
      

GO HOME

Robert Feke

1710-1750 Robert Feke Gallery

Pintura Identificación::  39048
Portrait of a Woman
Retrato de una Mujer
mk140 1748 Oil on canvas
mk140 1748 Engrasan en la lona
1710-1750 Robert Feke Gallery

   
 

 

 
   
      

GO HOME

BARTOLOMEO VENETO

Italian Painter, ca.1470-1531

Pintura Identificación::  40285
Portrait of a Woman
Retrato de una Mujer
mk156 Oil on panel 43.5x34.3cm
el Petróleo mk156 enpone panel 43.5x34.3cm
Italian Painter, ca.1470-1531

   
 

 

 
   
      

GO HOME

Lorenzo Costa

1460-1535 Italian Lorenzo Costa Locations

Pintura Identificación::  40973
Portrait of a Woman
Retrato de una Mujer
mk159 1500-06 Oil on canvas 57x44cm
mk159 1500-06 Engrasan en la lona 57x44cm
1460-1535 Italian Lorenzo Costa Locations

   
 

 

 
   
      

GO HOME

Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar

Pintura Identificación::  40996
Portrait of a woman
Retrato de una mujer
mk159 1526 Oil on canvsa 88.5x58.6cm
mk159 1526 Engrasan en el canvsa88.5x58.6cm
b. 1472, Kronach, d. 1553, Weimar

   
 

 

 
   
      

GO HOME

Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Pintura Identificación::  42388
Portrait of a woman
Retratode una mujer
mk168 c.1490 Oil on coniferous wood c.1490 47x36cm
mk168 C. 1490 Petróleo en la madera C conífera. 1490 47x36cm
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

GO HOME

Robert Campin

1406-1444 Robert Campin Location

Pintura Identificación::  42840
Portrait of a Woman
mk170 Circa 1430 40.6x28.1cm
1406-1444 Robert Campin Location

   
 

 

 
   
      

GO HOME

Alessandro Allori

(May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school. Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.

Pintura Identificación::  58189
Portrait of a Woman
Portrait of a Woman (Bianca Cappello?) Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence
(May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school. Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.

   
 

 

 
   
      

GO HOME

Frans Hals

1580-1666 Frans Hals Galleries

Pintura Identificación::  59211
Portrait of a Woman
Portrait of a Woman
1580-1666 Frans Hals Galleries

   
 

 

 
   
      

GO HOME

Ernst Ludwig Kirchner

German Expressionist Painter and Sculptor, 1880-1938

Pintura Identificación::  59464
Portrait of a Woman
Portrait of a Woman, 1911
German Expressionist Painter and Sculptor, 1880-1938

   
 

 

 
   
      

GO HOME

RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Pintura Identificación::  63818
Portrait of a Woman
1507 Oil on wood, 64 x 48 cm Galleria Nazionale, Urbino The female portrait known as The Mute Woman represents a return to the influence of Leonardo. It certainly comes from the Florentine environment, for it was given in trust to the National Gallery of the Marches by the Uffizi, where it had been stored for several hundred years. It was attributed to Raphael only recently. Leonardo inspires mainly the pose of the figure (whose characteristically crossed hands constitute a very clear reference to the Mona Lisa). The neatness of the large areas of colour which emerge in lighter tones from the near-black background, and the analytical treatment of the details of the woman's clothing are characteristic of Raphael. The dispersive effect of this attention to detail is fully compensated by the tones of colour - used here in a fairly limited range - which unify the composition as a whole.Artist:RAFFAELLO Sanzio Title: Portrait of a Woman (La Muta) Painted in 1501-1550 , Italian - - painting : portrait
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

GO HOME

MAES, Nicolaes

Dutch Baroque Era Painter, 1634-1693.

Pintura Identificación::  64219
Portrait of a Woman
89,6 x 71,2 cm Museum voor Schone Kunsten, Ghent , Artist: MAES, Nicolaes , Portrait of a Woman , 1651-1700 , Dutch , painting , portrait
Dutch Baroque Era Painter, 1634-1693.

   
 

 

 
   
      

GO HOME

HALS, Frans

Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).

Pintura Identificación::  64259
Portrait of a Woman
84,5 x 67,5 cm Museum voor Schone Kunsten, Ghent This portrait, showing an unidentified, 53-year-old woman, evokes a powerful sense of bourgeois self-confidence. , Artist: HALS, Frans , Portrait of a Woman , 1601-1650 , Dutch , painting , portrait
Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).

   
 

 

 
   
      

GO HOME

RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640

Pintura Identificación::  64711
Portrait of a Woman
Oil on canvas Mus?e des Beaux-Arts, Marseille Artist:RUBENS, Pieter Pauwel Title: Portrait of a Woman, 1601-1650, Flemish , painting , portrait
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

GO HOME

John Smibert

1688-1751 John Smibert Gallery

Pintura Identificación::  68817
Portrait of a Woman
Medium Oil on canvas Dimensions 90.3 X 70.4 cm
1688-1751 John Smibert Gallery

   
 

 

 
   
      

GO HOME

John Smibert

1688-1751 John Smibert Gallery

Pintura Identificación::  70668
Portrait of a Woman
Medium Oil on canvas Dimensions Expression error: Missing operand for *90.3 ?? 70.4 cm
1688-1751 John Smibert Gallery

   
 

 

 
   
      


Pintura Identificación::  70883
Portrait of a Woman
ca. 1765(1765) Oil on canvas 89.1 x 73 cm (35.08 x 28.74 in)

   
 

 

 
   
      

GO HOME

Joseph Blackburn

English-born American Rococo Era Painter, ca.1700-1780

Pintura Identificación::  70885
Portrait of a Woman
ca. 1762(1762) Oil on canvas 111.8 x 91 cm (44.02 x 35.83 in)
English-born American Rococo Era Painter, ca.1700-1780

   
 

 

 
   
      

GO HOME

Henry Inman

American Painter, 1801-1846

Pintura Identificación::  70889
Portrait of a Woman
ca. 1825(1825) Oil on panel 20.3 x 16.2 cm (7.99 x 6.38 in)
American Painter, 1801-1846

   
 

 

 
   
      

GO HOME

Robert Feke

1710-1750 Robert Feke Gallery

Pintura Identificación::  70953
Portrait of a Woman
ca. 1748(1748) Oil on canvas 125.4 x 100.5 cm (49.37 x 39.57 in)
1710-1750 Robert Feke Gallery

   
 

 

 
   
      

GO HOME

Joseph Blackburn

English-born American Rococo Era Painter, ca.1700-1780

Pintura Identificación::  71874
Portrait of a Woman
Date ca. 1762(1762) Dimensions 111.8 x 91 cm (44.02 x 35.83 in)
English-born American Rococo Era Painter, ca.1700-1780

   
 

 

 
   
      

GO HOME

Frans Hals

1580-1666 Frans Hals Galleries

Pintura Identificación::  71926
Portrait of a woman
1644 Oil on canvas 75.9 x 62.5 cm (29.88 x 24.61 in)
1580-1666 Frans Hals Galleries

   
 

 

 
   
      

GO HOME

konrad magi

konrad magi(1878 to 1925),was an Estonian landscape painter. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Magi works on motives of the island of Saaremaa are the first modern Estonian nature paintings. Magi received his elementary art education from the drawing courses of the German Artisans Society of Tartu (1899?C1902.) At the same time, he was keenly engaged in theater, violin, and various sports. Magi continued his art education as an unattached student in Saint Petersburg (1903?C1905.) In the autumn of 1907, he went to Paris. There Magi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Magi returned to Tartu, where he worked as an art teacher. In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Magi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline vali majakesega (A flower field with a little house; 1908?C1909), Norra maastik manniga (A Norwegian landscape with a pine; 1910). From 1918, the influence of Expressionism is manifest, fostered by Mägi extreme sensitivity and emotional response to the anxious times: Puhajarv (Lake Puha, ', ', ', ', ', ', ', '); 1918?C1920), Otepaa maastik (Landscape of Otepaa; 1918?C1920). Also influenced by Expressionism are his big figure compositions Piet?? (1919), Kolgata (Golgatha; 1921). Konrad Magi - Rannamaastik (Beach landscape)Magi new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922?C1923). Along with nature pictures, he painted flowers and portraits. Magi mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923?C1924).

Pintura Identificación::  72283
Portrait of a woman
Konrad Mägi "Portrait of a woman", 1918-1920, oil on canvas, 68 x 55 cjr
konrad magi(1878 to 1925),was an Estonian landscape painter. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Magi works on motives of the island of Saaremaa are the first modern Estonian nature paintings. Magi received his elementary art education from the drawing courses of the German Artisans Society of Tartu (1899?C1902.) At the same time, he was keenly engaged in theater, violin, and various sports. Magi continued his art education as an unattached student in Saint Petersburg (1903?C1905.) In the autumn of 1907, he went to Paris. There Magi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Magi returned to Tartu, where he worked as an art teacher. In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Magi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline vali majakesega (A flower field with a little house; 1908?C1909), Norra maastik manniga (A Norwegian landscape with a pine; 1910). From 1918, the influence of Expressionism is manifest, fostered by Mägi extreme sensitivity and emotional response to the anxious times: Puhajarv (Lake Puha, ', ', ', ', ', ', ', '); 1918?C1920), Otepaa maastik (Landscape of Otepaa; 1918?C1920). Also influenced by Expressionism are his big figure compositions Piet?? (1919), Kolgata (Golgatha; 1921). Konrad Magi - Rannamaastik (Beach landscape)Magi new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922?C1923). Along with nature pictures, he painted flowers and portraits. Magi mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923?C1924).

   
 

 

 
   
      

GO HOME

Frans Hals

1580-1666 Frans Hals Galleries

Pintura Identificación::  73317
Portrait of a woman
Date 1644 Medium Oil on canvas Dimensions 75.9 X 62.5 cm (29.88 X 24.61 in) cyf
1580-1666 Frans Hals Galleries

   
 

 

 
   
      

GO HOME

Abraham van den Tempel

(1622 - 1672) was a Dutch Golden Age painter. He probably learned painting from his father, also a painter, but who died when he was still quite young, in 1636. That is the same year that he moved to Amsterdam, where he stayed until 1647, whereupon he moved to Leiden. According to Houbraken he was the son of a Mennonite preacher in Leeuwarden who was a respected art teacher. His father was Lambert Jacobsz (or Jacobszoon), who had taught Govert Flinck and Jacob Adriaensz Backer in their youth, both of whom were artists from Mennonite families. Abraham took the name Tempel because when he studied in Leiden, he lived in a house there with a relief of a Tempel in the keystone. He became a pupil of Jacob Backer, and studied mathematics at Leiden University. He met with great success with the Leiden city council, earning several generous commissions, including a series of three large allegorical paintings on the cloth industry of Leiden for the Cloth Hall which still hang in their original place today in the Stedelijk Museum De Lakenhal. Sir William Davidson of Curriehill, Conservator of the Cloth Staple at Veere (with his son Charles), 1664.He became master of the Guild of St. Luke in 1657 and in 1659 he was chartermaster. In 1660 he returned to Amsterdam. His pupils were Frans van Mieris the Elder, Carel de Moor, Michiel van Musscher, Ary de Vois, and Isaac Paling

Pintura Identificación::  73406
Portrait of a Woman
Portrait of a Woman (alternative title: Portrait of the widow of admiral van Balen) 1670(1670) Oil painting on canvas 123 x 103.5 cm cjr
(1622 - 1672) was a Dutch Golden Age painter. He probably learned painting from his father, also a painter, but who died when he was still quite young, in 1636. That is the same year that he moved to Amsterdam, where he stayed until 1647, whereupon he moved to Leiden. According to Houbraken he was the son of a Mennonite preacher in Leeuwarden who was a respected art teacher. His father was Lambert Jacobsz (or Jacobszoon), who had taught Govert Flinck and Jacob Adriaensz Backer in their youth, both of whom were artists from Mennonite families. Abraham took the name Tempel because when he studied in Leiden, he lived in a house there with a relief of a Tempel in the keystone. He became a pupil of Jacob Backer, and studied mathematics at Leiden University. He met with great success with the Leiden city council, earning several generous commissions, including a series of three large allegorical paintings on the cloth industry of Leiden for the Cloth Hall which still hang in their original place today in the Stedelijk Museum De Lakenhal. Sir William Davidson of Curriehill, Conservator of the Cloth Staple at Veere (with his son Charles), 1664.He became master of the Guild of St. Luke in 1657 and in 1659 he was chartermaster. In 1660 he returned to Amsterdam. His pupils were Frans van Mieris the Elder, Carel de Moor, Michiel van Musscher, Ary de Vois, and Isaac Paling

   
 

 

 
   
      

GO HOME

Palma il Vecchio

(c. 1480 - July 1528), born Jacopo Palma or known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. He is called Palma Vecchio in English ("Old Palma" - in Italian Palma il Vecchio) to distinguish him from Palma Giovane, his great-nephew. When Palma arrived in Venice early in the 16th century, he reputedly was a companion and competitor of Lorenzo Lotto, and to some extent a pupil of Titian. He may also have taught Bonifazio Pitati and influenced Giovanni Busi. Palma's earlier works betray the influence of the Bellini.

Pintura Identificación::  74855
Portrait of a Woman
Oil on canvas. 95 x 80 cm (37 3/8 x 31 1/2 in.). cjr
(c. 1480 - July 1528), born Jacopo Palma or known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. He is called Palma Vecchio in English ("Old Palma" - in Italian Palma il Vecchio) to distinguish him from Palma Giovane, his great-nephew. When Palma arrived in Venice early in the 16th century, he reputedly was a companion and competitor of Lorenzo Lotto, and to some extent a pupil of Titian. He may also have taught Bonifazio Pitati and influenced Giovanni Busi. Palma's earlier works betray the influence of the Bellini.

   
 

 

 
   
      


Pintura Identificación::  75084
Portrait of a Woman
Date 1670(1670) Medium Oil painting on canvas Dimensions 123 x 103.5 cm cyf

   
 

 

 
   
      


Pintura Identificación::  75229
Portrait of a woman
ca. 1765(1765) Oil on canvas 89.1 X 73 cm (35.08 X 28.74 in) cjr

   
 

 

 
   
      


Pintura Identificación::  75651
Portrait of a woman
1793(1793) Oil , Sheet copper 48 x 37 cm (18.9 x 14.6 in) cjr

   
 

 

 
   
      

GO HOME

Sir Joshua Reynolds

British 1723-1792 Sir Joshua Reynolds Locations

Pintura Identificación::  76776
Portrait of a Woman
Portrait of a Woman (possibly Elizabeth Warren), 1759, oil on canvas painting by Joshua Reynolds, Kimbell Art Museum. cjr
British 1723-1792 Sir Joshua Reynolds Locations

   
 

 

 
   
      


Pintura Identificación::  77050
Portrait of a woman
Date ca. 1765(1765) Medium Oil on canvas Dimensions 89.1 x 73 cm (35.1 x 28.7 in) cyf

   
 

 

 
   
      


Pintura Identificación::  77455
Portrait of a woman
Date 1793(1793) Medium Oil , Sheet copper Dimensions 48 x 37 cm (18.9 x 14.6 in) cyf
1815-1855

   
 

 

 
   
      

GO HOME

Thomas Gainsborough

1727-1788 British Thomas Gainsborough Locations

Pintura Identificación::  78146
Portrait of a Woman
ca. 1750(1750) Oil on canvas cjr
1727-1788 British Thomas Gainsborough Locations

   
 

 

 
   
      

GO HOME

Julia Beck

Swedish, 1853-1935

Pintura Identificación::  78607
Portrait of a woman
1881(1881) Oil on cardboard panel 60 x 48 cm (23.6 x 18.9 in) cjr
Swedish, 1853-1935

   
 

 

 
   
      

GO HOME

Sir Joshua Reynolds

British 1723-1792 Sir Joshua Reynolds Locations

Pintura Identificación::  78861
Portrait of a Woman
1759(1759) Medium Oil on canvas cyf
British 1723-1792 Sir Joshua Reynolds Locations

   
 

 

 
   
      

GO HOME

Sir Joshua Reynolds

British 1723-1792 Sir Joshua Reynolds Locations

Pintura Identificación::  79547
Portrait of a Woman
1759(1759) Medium Oil on canvas cyf
British 1723-1792 Sir Joshua Reynolds Locations

   
 

 

 
   
      


Pintura Identificación::  79656
Portrait of a woman
17th century Oil on canvas cjr

   
 

 

 
   
      

GO HOME

Johann Martin Stock

(1742 - 1800) Budapest, Magyar Nemzeti Galeria

Pintura Identificación::  80899
Portrait of a woman
1793(1793) Medium Oil , Sheet copper Dimensions 48 x 37 cm (18.9 x 14.6 in) cyf
(1742 - 1800) Budapest, Magyar Nemzeti Galeria

   
 

 

 
   
      

GO HOME

Julia Beck

Swedish, 1853-1935

Pintura Identificación::  81786
Portrait of a woman
1881(1881) Medium Oil on cardboard panel Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf
Swedish, 1853-1935

   
 

 

 
   
      

GO HOME

Nicolas Maes

1634-1693 Dutch Nicolas Maes Galleries

Pintura Identificación::  82673
Portrait of a woman
Date 1667 cyf
1634-1693 Dutch Nicolas Maes Galleries

   
 

 

 
   
      

GO HOME

Francois-Auguste Biard

(June 30, 1799 - June 20, 1882) was a French genre painter. Born at Lyon, he traveled around the world, sketching on the way. He was particularly successful in rendering burlesque groups. His painting, Scenes on the Coast of Africa, depicted on the right, was the inspiration behind Isaac Julien's short film The Attendant (1993). Biard was a known abolitionist against the Atlantic slave trade. Wikimedia Commons has media related to: Auguste François Biard This article incorporates text from the public domain 1907 edition of The Nuttall Encyclopædia.

Pintura Identificación::  82948
Portrait of a woman
Medium Oil on canvas Dimensions 214.5 x 159 cm (84.4 x 62.6 in) cjr
(June 30, 1799 - June 20, 1882) was a French genre painter. Born at Lyon, he traveled around the world, sketching on the way. He was particularly successful in rendering burlesque groups. His painting, Scenes on the Coast of Africa, depicted on the right, was the inspiration behind Isaac Julien's short film The Attendant (1993). Biard was a known abolitionist against the Atlantic slave trade. Wikimedia Commons has media related to: Auguste François Biard This article incorporates text from the public domain 1907 edition of The Nuttall Encyclopædia.

   
 

 

 
   
      

GO HOME

Francisco de goya y Lucientes

b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,

Pintura Identificación::  83569
Portrait of a Woman
Oil on canvas, 62.23 cm. x 48.26 cm cyf
b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,

   
 

 

 
   
      

GO HOME

Lucas Cranach

Kronach 1472-Weimar 1553

Pintura Identificación::  83638
Portrait of a woman
Date 1526(1526) Medium Oil on wood cjr
Kronach 1472-Weimar 1553

   
 

 

 
   
      

GO HOME

Juan Pantoja de la Cruz

(Valladolid, 1553 - 26 October 1608, Madrid) Spanish painter, one of the best representatives of the Spanish school of court painters. He worked for Philip II and Philip III. The Museo del Prado contains examples of his severe portraiture style. Juan Pantoja de La Cruz was, born 1553 in Valladolid. Very little is known of his formative years as a painter. He was a pupil of the court painter Alonso Senchez Coello in Madrid and he must have assisted his master in complying with his duties as painter of the Spanish King, Philip II. Pantoja probably continued to work in his master studio after completing his training. He married in 1585 beginning to paint for the court around that time. After Sanchez Coello's death in 1588, Pantoja took over his master workshop and became court painter to Philip II of Spain. Pantoja kept working for the court and the nobility, painting portraits of Prince Philip, the future Philip III, in 1592 and 1594. Among his most well known works is the portrait of Philip II wearing a cape and hat all in black, painted around 1594 for the Escorial. This portrait is one of the best representations of the idea of Spanish majesty, based on the remoteness of the monarch. On Philip II's death in 1598, Philip III confirmed Pantoja's status as court painter. When the court settled in Valladolid in 1601, Pantoja moved to the new capital, remaining in this city, several years.

Pintura Identificación::  83656
Portrait of a woman
17th century Medium Oil on canvas cyf
(Valladolid, 1553 - 26 October 1608, Madrid) Spanish painter, one of the best representatives of the Spanish school of court painters. He worked for Philip II and Philip III. The Museo del Prado contains examples of his severe portraiture style. Juan Pantoja de La Cruz was, born 1553 in Valladolid. Very little is known of his formative years as a painter. He was a pupil of the court painter Alonso Senchez Coello in Madrid and he must have assisted his master in complying with his duties as painter of the Spanish King, Philip II. Pantoja probably continued to work in his master studio after completing his training. He married in 1585 beginning to paint for the court around that time. After Sanchez Coello's death in 1588, Pantoja took over his master workshop and became court painter to Philip II of Spain. Pantoja kept working for the court and the nobility, painting portraits of Prince Philip, the future Philip III, in 1592 and 1594. Among his most well known works is the portrait of Philip II wearing a cape and hat all in black, painted around 1594 for the Escorial. This portrait is one of the best representations of the idea of Spanish majesty, based on the remoteness of the monarch. On Philip II's death in 1598, Philip III confirmed Pantoja's status as court painter. When the court settled in Valladolid in 1601, Pantoja moved to the new capital, remaining in this city, several years.

   
 

 

 
   
      

GO HOME

Donatien Nonotte

France (1708 -1785 ) - Painter

Pintura Identificación::  83925
Portrait of a woman
18th century Medium Oil on canvas cyf
France (1708 -1785 ) - Painter

   
 

 

 
   
      

GO HOME

Berthe Morisot

French 1841-1895 Berthe Morisot Galleries

Pintura Identificación::  84089
Portrait of a Woman
1871(1871) Medium pastel on paper cyf
French 1841-1895 Berthe Morisot Galleries

   
 

 

 
   
      

GO HOME

Lefebvre, Jules Joseph

French, 1834-1912

Pintura Identificación::  84139
Portrait of a Woman
Oil on canvas Dimensions English: 240.7 x 149.8 cm cjr
French, 1834-1912

   
 

 

 
   
      

GO HOME

Bernardino Licinio

(c. 1489 - 1565) was an Italian High Renaissance painter of Venice and Lombardy. Born in Poscante (Bergamo). He mainly painted portraits and religious canvases.

Pintura Identificación::  84535
Portrait of a woman
Date first half of 16th century Medium Oil on wood Dimensions Height: 90 cm (35.4 in). Width: 75 cm (29.5 in). cjr
(c. 1489 - 1565) was an Italian High Renaissance painter of Venice and Lombardy. Born in Poscante (Bergamo). He mainly painted portraits and religious canvases.

   
 

 

 
   
      

GO HOME

Bernardino Licinio

(c. 1489 - 1565) was an Italian High Renaissance painter of Venice and Lombardy. Born in Poscante (Bergamo). He mainly painted portraits and religious canvases.

Pintura Identificación::  84538
Portrait of a woman
Date 1522(1522) Medium Oil on wood Dimensions Height: 83.5 cm (32.9 in). Width: 71.5 cm (28.1 in). cjr
(c. 1489 - 1565) was an Italian High Renaissance painter of Venice and Lombardy. Born in Poscante (Bergamo). He mainly painted portraits and religious canvases.

   
 

 

 
   
      

GO HOME

Bartholomeus van der Helst

1613-1670 Dutch Bartholomeus Van Der Helst Galleries

Pintura Identificación::  85295
Portrait of a woman
Date 1649(1649) Medium Oil on canvas cjr
1613-1670 Dutch Bartholomeus Van Der Helst Galleries

   
 

 

 
   
      

GO HOME

Frans Hals

1580-1666 Frans Hals Galleries

Pintura Identificación::  85332
Portrait of a woman
Date between 1630(1630) and 1633(1633) Medium Oil on canvas Dimensions Height: 75 cm (29.5 in). Width: 58 cm (22.8 in). cjr
1580-1666 Frans Hals Galleries

   
 

 

 
   
      

GO HOME

Cornelis Ketel

Flemish (Resident in UK) 1548-1616

Pintura Identificación::  85664
Portrait of a Woman
oil on panel, 83 x 67.3 cm cyf
Flemish (Resident in UK) 1548-1616

   
 

 

 
   
      

GO HOME

Francois Auguste Biard

(1800-1882) , a French genre painter

Pintura Identificación::  86745
Portrait of a woman
Oil on canvas Dimensions 214.5 x 159 cm (84.4 x 62.6 in) cyf
(1800-1882) , a French genre painter

   
 

 

 
   
      

GO HOME

Lucas Cranach

Kronach 1472-Weimar 1553

Pintura Identificación::  87489
Portrait of a woman
1526(1526) Medium Oil on wood cyf
Kronach 1472-Weimar 1553

   
 

 

 
   
      

GO HOME

Louis Joseph Anthonissen

Belgian Painter, 1849-1913

Pintura Identificación::  87963
Portrait of a Woman
Oil on canvas Dimensions English: 240.7 x 149.8 cm cyf
Belgian Painter, 1849-1913

   
 

 

 
   
      

GO HOME

Bernardino Licinio

(c. 1489 - 1565) was an Italian High Renaissance painter of Venice and Lombardy. Born in Poscante (Bergamo). He mainly painted portraits and religious canvases.

Pintura Identificación::  88371
Portrait of a woman
1522(1522) Medium Oil on wood cyf
(c. 1489 - 1565) was an Italian High Renaissance painter of Venice and Lombardy. Born in Poscante (Bergamo). He mainly painted portraits and religious canvases.

   
 

 

 
   
      

GO HOME

Lucas Cranach

Kronach 1472-Weimar 1553

Pintura Identificación::  89219
Portrait of a Woman
oil on beech Dimensions Height: 35.9 cm (14.1 in). Width: 25.1 cm (9.9 in). cjr
Kronach 1472-Weimar 1553

   
 

 

 
   
      

GO HOME

Frans Hals

1580-1666 Frans Hals Galleries

Pintura Identificación::  89539
Portrait of a woman
between 1630(1630) and 1633(1633) Medium oil on canvas cyf
1580-1666 Frans Hals Galleries

   
 

 

 
   
      

GO HOME

Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

Pintura Identificación::  89802
Portrait of a woman
1506(1506) Medium oil on panel cyf
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

GO HOME

Pieter Claesz

Dutch 1597-1660 Pieter Claesz Locations

Pintura Identificación::  90755
Portrait of a Woman
1625-30(1625-30) Medium oil on canvas Dimensions 46 1/2 x 36 in. (118.1 x 91.4 cm) cjr
Dutch 1597-1660 Pieter Claesz Locations

   
 

 

 
   
      

GO HOME

Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries

Pintura Identificación::  90988
Portrait of a Woman
1512(1512) Medium oil on panel Dimensions Height: 68 cm (26.8 in). Width: 55 cm (21.7 in). cyf
1485-1547 Italian Sebastiano del Piombo Galleries

   
 

 

 
   
      

GO HOME

Hannah Brown Skeele

Hannah Brown Skeele (1829 - 1901)

Pintura Identificación::  91893
Portrait of a Woman
c. 1886 Medium oil on canvas Dimensions 27 1/8 x 22 1/8 in. (68.9 x 56.2 cm) cjr
Hannah Brown Skeele (1829 - 1901)

   
 

 

 
   
      

GO HOME

Nicolas de Largilliere

1656-1746 French Nicolas de Largilliere Gallery

Pintura Identificación::  91898
Portrait of a Woman
c. 1696 Medium oil on canvas Dimensions 64 1/4 x 51 1/4 in. (163.2 x 130.2 cm) cjr
1656-1746 French Nicolas de Largilliere Gallery

   
 

 

 
   
      

GO HOME

Rogier van der Weyden

Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance

Pintura Identificación::  92115
Portrait of a woman
1464(1464) Medium oil on oak panel Dimensions Height: 36.5 cm (14.4 in). Width: 27 cm (10.6 in). cyf
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance

   
 

 

 
   
      

GO HOME

Barthel Bruyn the Elder

German Northern Renaissance Painter, 1493-1555

Pintura Identificación::  92389
Portrait of a Woman
c. 1560-70 Medium oil on panel Dimensions 21 1/4 x 16 1/2 in. (54 x 41.9 cm) cjr
German Northern Renaissance Painter, 1493-1555

   
 

 

 
   
      

GO HOME

Anonymous

unknow artist

Pintura Identificación::  92595
Portrait of a Woman
1525 - 1549 Medium oil on panel Dimensions 66.5 X 49.5 cm (26.2 X 19.5 in) cjr
unknow artist

   
 

 

 
   
      

GO HOME

Frans Hals

1580-1666 Frans Hals Galleries

Pintura Identificación::  92905
Portrait of a woman
c. 1650-1652 Medium oil on canvas Dimensions 102.6 X 88.9 cm (40.4 X 35 in) cjr
1580-1666 Frans Hals Galleries

   
 

 

 
   
      

GO HOME

Frans Hals

1580-1666 Frans Hals Galleries

Pintura Identificación::  93009
Portrait of a woman
1638 Medium oil on canvas Dimensions 66.5 X 52.3 cm (26.2 X 20.6 in) cjr
1580-1666 Frans Hals Galleries

   
 

 

 
   
      

GO HOME

Raphael

Italian High Renaissance Painter, 1483-1520

Pintura Identificación::  93655
Portrait of a Woman
1507(1507) Medium oil on panel Dimensions Height: 64 cm (25.2 in). Width: 48 cm (18.9 in). cjr
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

GO HOME

Janssens van Ceulen

Cornelis Janssens van Ceulen (also Cornelius Jonson van Ceulen, Cornelius Johnson, Cornelis Jansz. van Ceulen and many other variants) (bapt. October 14, 1593, London - bur. August 5, 1661, Utrecht) was an English painter of portraits of Dutch or Flemish parentage. He has been described as "one of the most gifted and prolific portrait painters practising in England during the 1620s and 1630s".

Pintura Identificación::  93933
Portrait of a Woman
1619, oil on wood painting by Cornelius Janssen van Ceulen, Cleveland Museum of Art TTD
Cornelis Janssens van Ceulen (also Cornelius Jonson van Ceulen, Cornelius Johnson, Cornelis Jansz. van Ceulen and many other variants) (bapt. October 14, 1593, London - bur. August 5, 1661, Utrecht) was an English painter of portraits of Dutch or Flemish parentage. He has been described as "one of the most gifted and prolific portrait painters practising in England during the 1620s and 1630s".

   
 

 

 
   
      

GO HOME

Miklos Barabas

(February 10, 1810 in Mărcuşa, now Romania - February 12, 1898 in Budapest) was a Hungarian painter. He his mostly known for his portrait paintings. He was born in Kezdimerkosfalva. He spent most of his life in Pest, where he was director of the art society from 1862 until his death. He became a member of the Parliament of Hungary in 1867. He died in Budapest.

Pintura Identificación::  95511
Portrait of a Woman
1846(1846) Medium oil on canvas cyf
(February 10, 1810 in Mărcuşa, now Romania - February 12, 1898 in Budapest) was a Hungarian painter. He his mostly known for his portrait paintings. He was born in Kezdimerkosfalva. He spent most of his life in Pest, where he was director of the art society from 1862 until his death. He became a member of the Parliament of Hungary in 1867. He died in Budapest.

   
 

 

 
   
      

GO HOME

Miklos Barabas

(February 10, 1810 in Mărcuşa, now Romania - February 12, 1898 in Budapest) was a Hungarian painter. He his mostly known for his portrait paintings. He was born in Kezdimerkosfalva. He spent most of his life in Pest, where he was director of the art society from 1862 until his death. He became a member of the Parliament of Hungary in 1867. He died in Budapest.

Pintura Identificación::  95561
Portrait of a Woman
Unknown date Medium oil on canvas cyf
(February 10, 1810 in Mărcuşa, now Romania - February 12, 1898 in Budapest) was a Hungarian painter. He his mostly known for his portrait paintings. He was born in Kezdimerkosfalva. He spent most of his life in Pest, where he was director of the art society from 1862 until his death. He became a member of the Parliament of Hungary in 1867. He died in Budapest.

   
 

 

 
   
      

GO HOME

Marianne Loir

French Painter, ca.1715-1769

Pintura Identificación::  96253
Portrait of a woman
18th century Medium oil on canvas Dimensions 81.3 X 66 cm cyf
French Painter, ca.1715-1769

   
 

 

 
   
      

GO HOME

Maarten van Heemskerck

(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

Pintura Identificación::  96290
Portrait of a Woman
1529(1529) Medium oil on oak panel cyf
(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

   
 

 

 
   
      

GO HOME

Vieira Portuense

(Porto, 13 May 1765 - Funchal, 2 May 1805), who choose the artistic name of Vieira Portuense, was a Portuguese painter, one of the introducers of Neoclassicism in Portuguese painting. He was, in the neoclassical style, one of the two great Portuguese painters of his generation, with Domingos Sequeira. He first studied in Lisbon, later moving to Rome. He traveled through Italy, Germany, Austria and England, before returning to Portugal, in 1800. He met Swiss painter Angelika Kauffmann, from whom he seems to have received influences. He seems to anticipate some motives of the romantic painting in several of his historical paintings, like "Dona Filipa de Vilhena knighting her sons" (1801). He contracted tuberculosis, and moved to Madeira, were he died, aged only 39. He is represented at the National Museum of Ancient Art, in Lisbon, and at the National Museum Soares dos Reis, in Porto. Not to be confused with another Portuguese painter, Francisco Vieira de Matos, better known as Vieira Lusitano.

Pintura Identificación::  96679
Portrait of a Woman
1800(1800) Medium oil on canvas Dimensions 88 X 66 cm (34.6 X 26 in) cjr
(Porto, 13 May 1765 - Funchal, 2 May 1805), who choose the artistic name of Vieira Portuense, was a Portuguese painter, one of the introducers of Neoclassicism in Portuguese painting. He was, in the neoclassical style, one of the two great Portuguese painters of his generation, with Domingos Sequeira. He first studied in Lisbon, later moving to Rome. He traveled through Italy, Germany, Austria and England, before returning to Portugal, in 1800. He met Swiss painter Angelika Kauffmann, from whom he seems to have received influences. He seems to anticipate some motives of the romantic painting in several of his historical paintings, like "Dona Filipa de Vilhena knighting her sons" (1801). He contracted tuberculosis, and moved to Madeira, were he died, aged only 39. He is represented at the National Museum of Ancient Art, in Lisbon, and at the National Museum Soares dos Reis, in Porto. Not to be confused with another Portuguese painter, Francisco Vieira de Matos, better known as Vieira Lusitano.

   
 

 

 
   
      

GO HOME

BARTOLOMEO VENETO

Italian Painter, ca.1470-1531

Pintura Identificación::  97208
Portrait of a Woman
between 1520(1520) and 1525(1525) Medium tempera and oil on poplar wood cyf
Italian Painter, ca.1470-1531

   
 

 

 
   
      

GO HOME

Pier Leone Ghezzi

(Rome, 28 June 1674 - Rome, 6 March 1755) was an Italian Rococo painter and caricaturist active in Rome. Caricature of composer Antonio Vivaldi by Pier Leone GhezziGhezzi was born in Rome. His father, Giuseppe Ghezzi, (1634-1721), also trained Antonio Amorosi, and was a secretary to the Roman Accademia di San Luca. Pier Leone himself joined the Academy in 1705 and he executed a painting, the Allegory of Gratitude, to be donated to the institution, as was customary. He was the godson of Carlo Maratta. Pier Leone is known for his frescoes in the Villa Falconieri of Frascati. His pen and gouache caricatures are much freer in emotion than his state portraiture, and often depict named individuals or professions in satirical fashion.

Pintura Identificación::  97403
Portrait of a woman
Oil on canvas, 42 x 33 cm Date 1911(1911) cyf
(Rome, 28 June 1674 - Rome, 6 March 1755) was an Italian Rococo painter and caricaturist active in Rome. Caricature of composer Antonio Vivaldi by Pier Leone GhezziGhezzi was born in Rome. His father, Giuseppe Ghezzi, (1634-1721), also trained Antonio Amorosi, and was a secretary to the Roman Accademia di San Luca. Pier Leone himself joined the Academy in 1705 and he executed a painting, the Allegory of Gratitude, to be donated to the institution, as was customary. He was the godson of Carlo Maratta. Pier Leone is known for his frescoes in the Villa Falconieri of Frascati. His pen and gouache caricatures are much freer in emotion than his state portraiture, and often depict named individuals or professions in satirical fashion.

   
 

 

 
   
      

GO HOME

Francois Auguste Biard

(1800-1882) , a French genre painter

Pintura Identificación::  97445
Portrait of a Woman
oil on canvas Dimensions 214.5 X 159 cm cyf
(1800-1882) , a French genre painter

   
 

 

 
   
      

GO HOME

BUGIARDINI, Giuliano

Italian painter, Florentine school (b. 1475, Firenze, d. 1554, Firenze)

Pintura Identificación::  97776
Portrait of a Woman
between 1506(1506) and 1510(1510) Medium oil on panel cyf
Italian painter, Florentine school (b. 1475, Firenze, d. 1554, Firenze)

   
 

 

 
   
      

GO HOME

Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

Pintura Identificación::  97777
Portrait of a Woman
circa 1506(1506) Medium oil on panel cyf
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

GO HOME

Lorenzo Costa

Bologna 1460-Mantua 1535

Pintura Identificación::  97781
Portrait of a Woman
between 1500(1500) and 1506(1506) Medium oil and tempera on canvas cyf
Bologna 1460-Mantua 1535

   
 

 

 
   
      

GO HOME

Ridolfo Ghirlandaio

Italian High Renaissance Painter, 1483-1561

Pintura Identificación::  97966
Portrait of a Woman
between 1506(1506) and 1510(1510) Medium oil on panel cyf
Italian High Renaissance Painter, 1483-1561

   
 

 

 
   
      

GO HOME

Victor Meirelles

Victor Meirelles de Lima (August 18, 1832 -February 22, 1903) was a 19th century painter. He studied art in Paris but painted most of his works in and about his native Brazil. His religious and military paintings helped him become one of the most popular and celebrated Brazilian painters. His The first Mass in Brazil was the first Brazilian painting to be accepted in the Salons of Paris and is one of the most well known paintings in his native country, being reproduced in every book of History for elementary schools.

Pintura Identificación::  98004
Portrait of a woman
1880(1880) Medium oil Dimensions 74 x 60 cm cyf
Victor Meirelles de Lima (August 18, 1832 -February 22, 1903) was a 19th century painter. He studied art in Paris but painted most of his works in and about his native Brazil. His religious and military paintings helped him become one of the most popular and celebrated Brazilian painters. His The first Mass in Brazil was the first Brazilian painting to be accepted in the Salons of Paris and is one of the most well known paintings in his native country, being reproduced in every book of History for elementary schools.

   
 

 

 
   
      

GO HOME

Thomas De Keyser

1586-1667 Dutch Thomas De Keyser Gallery

Pintura Identificación::  98055
Portrait of a Woman
oil on panel Dimensions 137 x 108 cm cyf
1586-1667 Dutch Thomas De Keyser Gallery

   
 

 

 
   
      

GO HOME

Joseph Blackburn

English-born American Rococo Era Painter, ca.1700-1780

Pintura Identificación::  98449
Portrait of a Woman
circa 1762(1762) Medium oil on canvas Dimensions 111.8 x 91 cm (44 x 35.8 in)
English-born American Rococo Era Painter, ca.1700-1780

   
 

 

 
   
      

Joseph Blackburn
English-born American Rococo Era Painter, ca.1700-1780
Portrait of a Woman

        
 
   
 

Send  Us Email:    intofineart@hotmail.com

IntoFineArt Co,.Ltd.